https://www.royananda.com/play-and-process daily 0.75 2021-01-24 https://static1.squarespace.com/static/600cd6a43c156d341b53cbcc/t/600ceb04676f651941057897/1611459291522/ Play and process https://static1.squarespace.com/static/600cd6a43c156d341b53cbcc/600ceaca8c87b41f301e73bb/600ceadb676f6519410577c9/1611459291522/ Play and process https://www.royananda.com/comics-and-cartoons daily 0.75 2021-01-25 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459639444-21WYFE1PETFNT53V1DSS/F1000030.JPG Comics and cartoons - Untitled 2006 Fabric, coat-hanger, fibreglass Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley A red skivvy augmented by a disproportionately large cartoon love heart operates as a sculptural analogue of a cartoon character’s heart beating out of its chest upon falling in love or lust. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459639444-21WYFE1PETFNT53V1DSS/F1000030.JPG Comics and cartoons - Untitled 2006 Fabric, coat-hanger, fibreglass Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley A red skivvy augmented by a disproportionately large cartoon love heart operates as a sculptural analogue of a cartoon character’s heart beating out of its chest upon falling in love or lust. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459633119-S98OK9ILL2BOMIMDVJNX/Concussion+device.jpg Comics and cartoons - Concussion device 2005 Timber, webbing, cardboard, thread, gouache, model train set 110x90x160cm Installation view, Contemporary Art Centre of South Australia Photograph by Mick Bradley The fanciful cartoon conceit of stars circling one’s head following head trauma is articulated via a working model train set and an apparently wearable timber exoskeleton. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459609699-VSC93DVKER6IM7PL3NOQ/Concussion+Device+%28detail+1%29.jpg Comics and cartoons - Concussion device 2005 Timber, webbing, cardboard, thread, gouache, model train set 110x90x160cm Installation view, Contemporary Art Centre of South Australia Photograph by Mick Bradley The fanciful cartoon conceit of stars circling one’s head following head trauma is articulated via a working model train set and an apparently wearable timber exoskeleton. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459618187-9SAGGFYR8ZHFKU2K8DZQ/Concussion+Device+%28detail+2%29.jpg Comics and cartoons - Concussion device 2005 Timber, webbing, cardboard, thread, gouache, model train set 110x90x160cm Installation view, Contemporary Art Centre of South Australia Photograph by Mick Bradley The fanciful cartoon conceit of stars circling one’s head following head trauma is articulated via a working model train set and an apparently wearable timber exoskeleton. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459686665-YNA6KKEAMNGVBNQ6MKXJ/Untitled+%28exploding+box%29.jpg Comics and cartoons - Untitled 2006 Timber, plywood, masonite, fabric Dimensions: approximately 60 x 150 x 150 cm Installation view, West Space, Melbourne Photograph by Simon Maidment The alternative laws of physics that exists in Warner Brothers cartoons and related media inform this sculptural articulation of an exploding crate. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459676417-44ENQLV0QZBN2JRK001I/Untitled+%28door+silhouette%29.jpg Comics and cartoons - Untitled 2007 Timber, MDF, acrylic paint, doorknob 204x82x4cm Installation view, Adelaide Central School of Art Photograph Sam Roberts The cartoon trope of a character impacting a surface at speed and leaving behind a silhouette is articulated as a site-specific, architectural intervention. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459833009-OAOCWZ1OJVBIFWBCZ5Q3/Bat%2Bsignal%2B%25282%2529.jpg Comics and cartoons - Bat signal 2016 Overhead projector, garden hose, rubber bat Photographs by Sam Roberts Dimensions variable Installation view, Hugo Michell Gallery, Adelaide A fictional distress signal device featured in the Batman media franchise is approximated using a range of found objects. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459596855-1HMCN252FY8SEIJPYG5V/Bat+signal+%281%29.jpg Comics and cartoons - Bat signal (detail) 2016 Overhead projector, garden hose, rubber bat Photographs by Sam Roberts Dimensions variable Installation view, Hugo Michell Gallery, Adelaide A fictional distress signal device featured in the Batman media franchise is approximated using a range of found objects. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459601049-4R99FM5QSLOLNSIEZ4UR/Bat+signal+%283%29.jpg Comics and cartoons - Bat signal 2016 Overhead projector, garden hose, rubber bat Photographs by Sam Roberts Dimensions variable Installation view, Hugo Michell Gallery, Adelaide A fictional distress signal device featured in the Batman media franchise is approximated using a range of found objects. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459662074-7H6NSGMQDJECDD9ACGFC/Trophy+%281%29.jpg Comics and cartoons - Trophy 2007 Found object, paper, pins, calico, frame 25x30x7cm Photograph by Sam Roberts A mask and cape, gleaned from a superhero action figure, are pinned as a lepidopterist would a butterfly or moth. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611459649020-BGOJGJHLMYOCYKB3M3HY/The+Spot.jpg Comics and cartoons - The Spot 2006 Timber, MDF, felt, velveteen, varnish, fixings 60x60x180cm Photograph by Mick Bradley Slapstick, steampunk aesthetics, and the exaggerated physicality of comic book adventure inform this work from the group exhibition ‘Sensible Shoes’ (Adelaide Central Gallery, 2006). https://www.royananda.com/star-wars daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460259025-MNEATLOZ30Z45PSMCCQS/Slow+crawl+-+James+Field+%283%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film Star Wars is articulated as a structure of timber and plywood. Artist statement for Slow crawl into infinity https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460259025-MNEATLOZ30Z45PSMCCQS/Slow+crawl+-+James+Field+%283%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film Star Wars is articulated as a structure of timber and plywood. Artist statement for Slow crawl into infinity https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460271332-PQY9NK5UMJS9J92DFYTM/Slow+crawl+-+James+Field+%285%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460248708-F3QVRE43LTBT2AXJIP7T/Slow+crawl+-+James+Field+%284%29.jpg Star Wars https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460242127-Q6M3D7BH7807MY97MFKJ/Slow+crawl+-+James+Field+%281%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460299851-RIAFG6KU6C12N6NE3VKL/Slow+crawl+-+James+Field+%2810%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460329690-EVZBXCOUE21X3F9N70MH/Slow+crawl+-+James+Field+%2821%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460335218-Q7687AT41EUC597I5EXW/Slow+crawl+-+James+Field+%2825%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460346419-AE27QNME48UTF0VE90OS/Slow+crawl+-+James+Field+%2826%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460359567-PIJJR0AXAE6PNAI4FMKP/Slow+crawl+-+James+Field+%2830%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460381980-GP9EXIRNKHVT33QL4A3Q/Slow+crawl+-+James+Field+%2833%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460390320-56IBWOBC2HDS5EDVJ7MR/Slow+crawl+-+Sam+Noonan+%282%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by Sam Noonan The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460399031-O2Y3DV3829KHQ9I6ZCH3/Slow+crawl+-+Sam+Noonan+%285%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by Sam Noonan The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460433019-CGQ0UTX7K0BDPX1TGD6T/Slow+crawl+-+Sam+Noonan+%2811%29.jpg Star Wars - Slow crawl into infinity 2014 Plywood, timber, fixings 550x700x1050cm Installation view, Anne and Gordon Samstag Museum of Art, Adelaide Photograph by James Field The scrolling expositional text from the beginning of George Lucas’s 1977 film ‘Star Wars’ is articulated as a structure of timber and plywood. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460441154-WSEYB603VE5XZKNN4792/Untitled+%28Yoda+toast%29+%281%29.jpg Star Wars - Untitled 2005 Toast 14x14cm Photograph by Sam Roberts An image of beloved ‘Star Wars’ character, the Jedi master Yoda, appears to manifest on a piece of toast. https://www.royananda.com/hp-lovecraft-and-the-cthulhu-mythos daily 0.75 2021-01-24 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460742665-9QRUJ9P3KHYUAPT6X2J1/The+abomination+of+abominations.jpg H.P. Lovecraft and the Cthulhu mythos - The abomination of abominations 2012 Digital print, oak, beeswax 190x120x90cm Photograph by James Field A continuous 20-metre-long print of a centipede winds its way through an oak frame. Artist statement for R’lyeh maquettes, Dianne Tanzer Gallery + Projects, Melbourne https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460742665-9QRUJ9P3KHYUAPT6X2J1/The+abomination+of+abominations.jpg H.P. Lovecraft and the Cthulhu mythos - The abomination of abominations 2012 Digital print, oak, beeswax 190x120x90cm Photograph by James Field A continuous 20-metre-long print of a centipede winds its way through an oak frame. Artist statement for R’lyeh maquettes, Dianne Tanzer Gallery + Projects, Melbourne https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460524936-DANHTPN1A45G3SU6VW0T/A+mountain+walked+%28Andrew+Noble%29+%283%29.jpg H.P. Lovecraft and the Cthulhu mythos - A mountain walked 2011 Timber, wheels, acrylic paint, fixings 300x120x120cm Photograph by Grant Hancock A stack of trolleys approximates the mutable and unstable alien architectures described in H.P. Lovecraft’s horror and science fiction stories, most notably ‘The Call of Cthulhu’ (1928). https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460521387-CANQ3IR4E3VT791BZMKK/A+mountain+walked+%28Andrew+Noble%29+%286%29.jpg H.P. Lovecraft and the Cthulhu mythos - A mountain walked (detail) 2011 Timber, wheels, acrylic paint, fixings 300x120x120cm Photograph by Grant Hancock A stack of trolleys approximates the mutable and unstable alien architectures described in H.P. Lovecraft’s horror and science fiction stories, most notably ‘The Call of Cthulhu’ (1928). https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460550068-A0OFR0JRAQJV6GXL5QQJ/Blasphemous+infinity+%28Sam+Roberts%29.jpg H.P. Lovecraft and the Cthulhu mythos - Blasphemous infinity 2013 Collage, found object Photograph by Sam Roberts Images of deep space, largely indistinguishable from one another, replace the original, brightly coloured stickers on a Rubik’s Cube puzzle box. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460752790-SV4OWVOZFHKPKCNYH39I/The+Devourer+%28install+view%29+%283%29.jpg H.P. Lovecraft and the Cthulhu mythos - The Devourer 2013 Mixed media Dimensions variable Installation view, Contemporary Art Centre of South Australia Photograph by James Field A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460747704-BK2XMK1GY00ZJVRY8PV5/The+Devourer+%28install+view%29+%281%29.jpg H.P. Lovecraft and the Cthulhu mythos - The Devourer 2013 Mixed media Dimensions variable Installation view, Contemporary Art Centre of South Australia Photograph by James Field A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460553611-OOAPYJBWFGEPMLD4VTJO/Bringer+of+strange+joy+to+Yuggoth+through+the+void+%28James+Field%29.jpg H.P. Lovecraft and the Cthulhu mythos - Bringer of strange joy to Yuggoth through the void Plaster, acrylic paint 2013 Dimensions variable Photograph by James Field A pair of cast tentacles crudely mimic Michelangelo’s ‘The Creation of Adam’ (circa 1512). https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460759450-N54WHVPJW8KVLHTOHS02/The+Devourer+%28install+view%29+%284%29.jpg H.P. Lovecraft and the Cthulhu mythos - The Devourer (detail) 2013 Mixed media Dimensions variable Installation view, Contemporary Art Centre of South Australia Photograph by James Field A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460763820-T5UWHNT6MU2OVB2DWKFF/The+Devourer+%28install+view%29+%285%29.jpg H.P. Lovecraft and the Cthulhu mythos - The Devourer (detail) 2013 Mixed media Dimensions variable Installation view, Contemporary Art Centre of South Australia Photograph by James Field A modular structure, provisionally secured with clamps, houses a range of small sculptural objects embodying various Lovecraftian tropes and motifs. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460782652-S6J79I27V19VCXWYEP0P/These+things+were+never+still+%28James+Field%29+%282%29.jpg H.P. Lovecraft and the Cthulhu mythos - These things were never still 2013 Plaster, resin, found objects, acrylic paint 30x20x20cm Photograph by James Field https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460786224-9MP26253ZSQLSJW9HDL4/Wearing+their+unhuman+trappings+%28James+Field%29+%281%29.jpg H.P. Lovecraft and the Cthulhu mythos - Wearing their unhuman trappings, treading their aquaeous ways 2013 Plaster, acrylic paint 10x8x15cm Photograph by James Field The amorphous and protoplasmic physicality of the monstrous inhabitants of Lovecraft’s fictional universe is approximated in plaster. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460565096-S28XWCLM787GQW58BBFO/Hideous+climb+through+the+unfashioned+realms+%283%29.jpg H.P. Lovecraft and the Cthulhu mythos - Hideous climb through the unfashioned realms 2013 Digital print, plaster, MDF, acrylic paint 20x110x110cm Photograph by James Field Installation view, Contemporary Art Centre of South Australia A crumpled image of deep space is supported by a plaster substrate. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460582208-HM8H08B8NUMMMSG6SX8R/Hideous+climb+through+the+unfashioned+realms+%284%29.jpg H.P. Lovecraft and the Cthulhu mythos - Hideous climb through the unfashioned realms 2013 Digital print, plaster, MDF, acrylic paint 20x110x110cm Photograph by James Field Installation view, Contemporary Art Centre of South Australia A crumpled image of deep space is supported by a plaster substrate. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460589969-Y0Q24LK9WT2QK7VKEC7K/Hideous+climb+through+the+unfashioned+realms+%285%29.jpg H.P. Lovecraft and the Cthulhu mythos - Hideous climb through the unfashioned realms 2013 Digital print, plaster, MDF, acrylic paint 20x110x110cm Photograph by James Field Installation view, Contemporary Art Centre of South Australia A crumpled image of deep space is supported by a plaster substrate. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460600011-2A0OBRUZRJD8YOBQZY1Q/I+wonder+how+I+shall+look+when+the+earth+is+cleared+off+%28James+Field%29.jpg H.P. Lovecraft and the Cthulhu mythos - I wonder how I shall look when the earth is cleared off 2013 Found image, MDF Dimensions variable Photograph by James Field https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460779897-JFAK4UD5PS2FTSQ2MWOY/The+stars+are+right+%28Andrew+Noble%29+%284%29.jpg H.P. Lovecraft and the Cthulhu mythos - The stars are right 2012 Octopus, book, jar, steel support 40x30x30cm Photograph by Andrew Noble Installation view, Dianne Tanzer Gallery + Projects, Melbourne A preserved cephalopod clutches a copy of ‘The Necronomicon’ in its tentacles. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460609207-49ZPBGE1XRTQLXDL4TMH/In+his+house+at+R%E2%80%99lyeh+dead+Cthulhu+waits+dreaming.jpg H.P. Lovecraft and the Cthulhu mythos - In his house at R’lyeh dead Cthulhu waits dreaming 2012 Toy octopus, book, dowel 12x25x25cm Photograph by Andrew Noble Installation view, Dianne Tanzer Gallery + Projects, Melbourne An arrangement of found objects illustrates one of H.P. Lovecraft’s most oft-quoted literary utterances. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460772877-5T22HJM87WF1MEJPKMXS/The+pit+of+the+shoggoths+%28James+Field%29+%282%29.jpg H.P. Lovecraft and the Cthulhu mythos - The pit of the shoggoths 2013 Balsa, acrylic paint, pins 50x50x80cm Photograph by James Field https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460733502-G6J2V3SMQ5NEYDA8Y4FN/Photo+by+Mick+Bradley+%2828%29.jpg H.P. Lovecraft and the Cthulhu mythos - Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn 2011 MDF, balsa, pins, acrylic paint Dimensions variable Photograph by Mick Bradley https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460717116-Y9BVTBZRF5TRLCYPQP2C/Photo+by+Mick+Bradley+%2827%29.jpg H.P. Lovecraft and the Cthulhu mythos - Untitled 2011 Balsa, fishing hooks, builders’ filler Dimensions variable Photograph by Mick Bradley https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460616769-8HGCV0SYA6OE45KSB9AD/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%281%29.jpg H.P. Lovecraft and the Cthulhu mythos - Nameless Cylinder 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings Dimensions variable Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide. Artist statement for Nameless Cylinder https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460626583-2TAU7TH3EVRQIQZRRX4D/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%282%29.jpg H.P. Lovecraft and the Cthulhu mythos - Nameless Cylinder 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings Dimensions variable Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460640542-TMBPYND46TY54HR8LKST/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%283%29.jpg H.P. Lovecraft and the Cthulhu mythos - Ia! Shub-Niggurath! 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, buttons, fixings 150x70x70cm Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460650810-VQB7OPJJKXODBC6RLRHV/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%288%29.jpg H.P. Lovecraft and the Cthulhu mythos - Ia! Shub-Niggurath! 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, buttons, fixings 150x70x70cm Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460657058-QXYEHFUD84OB46VCUNF3/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%2812%29.jpg H.P. Lovecraft and the Cthulhu mythos - That which relentlessly waits outside 2009 Collaboration between Roy Ananda and Julia Robinson Timber, plywood, varnish, fixings 240x240x100cm Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460668092-IWLEOPF3S3BCNQLQJI5W/Nameless+Cylinder+%28Dianne+Tanzer+Gallery%29+%2813%29.jpg H.P. Lovecraft and the Cthulhu mythos - The six thousand steps 2009 Collaboration between Roy Ananda and Julia Robinson Plywood, fibreglass, flocking, oxide Dimensions variable Installation view at Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble Julia Robinson is represented by Hugo Michell Gallery, Adelaide https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460677150-TS814BV96HONUP57JMP1/Nameless+Cylinder+%28seedling%29+%281%29.jpg H.P. Lovecraft and the Cthulhu mythos - Nameless Cylinder 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, fibreglass, flocking, oxide, varnish, buttons, fixings Dimensions variable Installation view at Seedling Art Space, Adelaide Photograph by Roy Ananda Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460685546-QFEAFBYOEYD7R7CE9D46/Nameless+Cylinder+%28seedling%29+%283%29.jpg H.P. Lovecraft and the Cthulhu mythos - The six thousand steps 2009 Collaboration between Roy Ananda and Julia Robinson Plywood, fibreglass, flocking, oxide Dimensions variable Installation view at Seedling Art Space, Adelaide Photograph by Roy Ananda Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460694902-NZJ83CZ2UA0EDZTFT6QK/Nameless+Cylinder+%28seedling%29+%284%29.jpg H.P. Lovecraft and the Cthulhu mythos - That which relentlessly waits outside 2009 Collaboration between Roy Ananda and Julia Robinson Timber, plywood, varnish, fixings 240x240x100cm Installation view at Seedling Art Space, Adelaide Photograph by Roy Ananda Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460704187-V3S4MM1XLWVMBU0QXC14/Nameless+Cylinder+%28seedling%29+%286%29.jpg H.P. Lovecraft and the Cthulhu mythos - Ia! Shub-Niggurath! 2009 Collaboration between Roy Ananda and Julia Robinson Timber, fabric, buttons, fixings 150x70x70cm Installation view at Seedling Art Space, Adelaide Photograph by Roy Ananda Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://www.royananda.com/dungeons-dragons daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460850559-KOH6USB6YRMGC6ZTVN56/20180228+BIENNIAL+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y2138.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Saul Steed A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. Artist statement for Thin walls between dimensions https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460850559-KOH6USB6YRMGC6ZTVN56/20180228+BIENNIAL+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y2138.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Saul Steed A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. Artist statement for Thin walls between dimensions https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460854978-PRKAFO2JT26X5OELH42O/20180228+BIENNIAL+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y2140.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Saul Steed A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460865953-294HTYM82IA669J1I7MH/20180228+BIENNIAL+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y2144.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Saul Steed A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460878095-7E9IGZ9TRL1MDY2QMU11/20180228+BIENNIAL+Installation+SRGB+2000px+Photo+Saul+Steed+0Z2Y2146.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Saul Steed A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460882096-JWQ2EFEL85CO4YGSYKDE/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_004_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460889353-N0A53PRS84YYRL7EWKGP/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_013_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460896655-3U8DJCQ2O7MU5HSZCIVM/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_025_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460913934-ODNX86Q4CZ788UF664C4/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_028_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460919821-FT0UJP3CXLBJ7T9TR902/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_031_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460922856-8SF6M8P3OF7RO7BRKJNR/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_033_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460926753-WP78CEQ77DEWG13CSEV5/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_042_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460930491-B1TOTGHXPGOGXMHDPTK8/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_043_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460932975-6H6A0RAYFUKHDNKISHTN/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_049_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460945646-AUN6WORW5PWCX3FOXQIA/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_057_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460947784-MONGZ8Q7O50NR3W52AHS/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_063_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460950622-U03A8IWOVRF0986HF8BO/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_066_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460952853-BFKD75DQQQ1W552MY4KR/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_069_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611460955542-ZKRJRVSHDNZQZ0ATJ5PC/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_070_LoRes.jpg Dungeons & Dragons - Thin walls between dimensions 2018 MDF, timber, acrylic paint, fixings Dimensions variable Installation view, Art Gallery of South Australia Photograph by Sam Roberts A two-dimensional map of an underground maze described in the tabletop role-playing game ‘Dungeons & Dragons’ is transposed into an immersive, three-dimensional environment in one of the basement galleries of the Art Gallery of South Australia. https://www.royananda.com/pop-culture-miscellany daily 0.75 2026-01-13 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768261484033-O2HREW4Q0AMZ64VT0LV7/image-asset.jpeg Pop culture miscellany - Evidence wall 2024 Digital prints on paper, ink on paper, acoustic pinboard, pins, thread Dimensions variable Installation view, The Lock-Up, Newcastle Photograph by Ben Adams ‘Evidence wall ‘connects over four hundred fictional automatons, robots, and artificial intelligences, positing them as agents in a vast conspiracy against the human race and cataloguing them according to various overlapping taxonomies. Digital catalogue for Data Minds Link to original, browser-based iteration of the work https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768261484033-O2HREW4Q0AMZ64VT0LV7/image-asset.jpeg Pop culture miscellany - Evidence wall 2024 Digital prints on paper, ink on paper, acoustic pinboard, pins, thread Dimensions variable Installation view, The Lock-Up, Newcastle Photograph by Ben Adams ‘Evidence wall ‘connects over four hundred fictional automatons, robots, and artificial intelligences, positing them as agents in a vast conspiracy against the human race and cataloguing them according to various overlapping taxonomies. Digital catalogue for Data Minds Link to original, browser-based iteration of the work https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768263314294-FH2PD3FW4H1KLFMXGXMY/image-asset.jpeg Pop culture miscellany - Evidence wall 2024 Digital prints on paper, ink on paper, acoustic pinboard, pins, thread Dimensions variable Installation view, The Lock-Up, Newcastle Photograph by Ben Adams ‘Evidence wall ‘connects over four hundred fictional automatons, robots, and artificial intelligences, positing them as agents in a vast conspiracy against the human race and cataloguing them according to various overlapping taxonomies. Digital catalogue for Data Minds Link to original, browser-based iteration of the work https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768095762361-LJD1G2FC5NRRH9J0DBLW/image-asset.jpeg Pop culture miscellany https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768263350850-PVEJO5ICIY605T4XP0FS/image-asset.jpeg Pop culture miscellany - Evidence wall 2024 Digital prints on paper, ink on paper, acoustic pinboard, pins, thread Dimensions variable Installation view, The Lock-Up, Newcastle Photograph by Ben Adams ‘Evidence wall ‘connects over four hundred fictional automatons, robots, and artificial intelligences, positing them as agents in a vast conspiracy against the human race and cataloguing them according to various overlapping taxonomies. Digital catalogue for Data Minds Link to original, browser-based iteration of the work https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768263389233-OTC7D8UMUMB0R114NWV6/image-asset.jpeg Pop culture miscellany - Evidence wall 2024 Digital prints on paper, ink on paper, acoustic pinboard, pins, thread Dimensions variable Installation view, The Lock-Up, Newcastle Photograph by Ben Adams ‘Evidence wall ‘connects over four hundred fictional automatons, robots, and artificial intelligences, positing them as agents in a vast conspiracy against the human race and cataloguing them according to various overlapping taxonomies. Digital catalogue for Data Minds Link to original, browser-based iteration of the work https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768095811285-O7MDFD9IM9EZIV41YGUX/image-asset.jpeg Pop culture miscellany - Wizard (actual size) 2024 Digital prints on paper, particle board, fixings 295×125×125cm Installation view, The Little Machine, Adelaide Photograph by Sam Roberts Scans of a miniature metal figurine of Gandalf the Grey (a protagonist in J.R.R. Tolkien’s ‘The Lord of the Rings’) are scaled up and transposed onto particle board, then subsequently assembled into an unwieldy approximation of the original object. Choose-your-own-essay by Michael Newall https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768114450694-I6EZP6EHZD08VA69OIYI/image-asset.jpeg Pop culture miscellany - Wizard (actual size) (Copy) 2024 Digital prints on paper, particle board, fixings 295×125×125cm Installation view, The Little Machine, Adelaide Photograph by Sam Roberts Scans of a miniature metal figurine of Gandalf the Grey (a protagonist in J.R.R. Tolkien’s ‘The Lord of the Rings’) are scaled up and transposed onto particle board, then subsequently assembled into an unwieldy approximation of the original object. Choose-your-own-essay by Michael Newall https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461249856-O2KK849BKCG382XPX3X8/Untitled+%28sword+work%29+-+Sam+Roberts+%283%29.jpg Pop culture miscellany - Untitled 2015 Swords, steel, springs, motor, and micro-controller Dimensions variable Arduino programming and additional fabrication by Simon Loffler Installation view, SASA Gallery, Adelaide Photograph by Sam Roberts This kinetic sculpture simulates a dual between two sword-wielding combatants. Artist statement from CACSA Contemporary 2015 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461293915-M6AHGGIY5FZW9INB418B/Untitled+%28sword+work%29+-+Sam+Roberts+%284%29.jpg Pop culture miscellany - Untitled 2015 Swords, steel, springs, motor, and micro-controller Dimensions variable Arduino programming and additional fabrication by Simon Loffler Installation view, SASA Gallery, Adelaide Photograph by Sam Roberts This kinetic sculpture simulates a dual between two sword-wielding combatants. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611652815079-J3XYYFT4LE73VWMK46A4/image-asset.jpeg Pop culture miscellany - Untitled 2015 Swords, steel, springs, motor, and micro-controller Dimensions variable Arduino programming and additional fabrication by Simon Loffler Installation view, SASA Gallery, Adelaide Video footage by Sam Roberts This kinetic sculpture simulates a dual between two sword-wielding combatants. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461038628-V4GRGKCKD0O9X7IUMYVW/Bnech.jpg Pop culture miscellany - Bnech 2014 MDF, enamel paint, concrete, found objects 100x160x80cm Installation view, Rymill Park, Adelaide Photograph by Steph Fuller The re-configuring of the basic components of a standard-issue, Adelaide City Council parkland bench alludes to the science-fictional trope of a teleportation mishap. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461024311-F7EE8S5XYMH7VPDGAYAT/Composition+for+three+kit+models+%28photo+by+Sam+Roberts%29+%281%29.jpg Pop culture miscellany - Composition for three kit models 2016 Kit model components, balsa, pins, acrylic paint 120x80x40cm Photograph by Sam Roberts This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461048748-PIXOOVF4C7V1XQ1R82Y1/Composition+for+three+kit+models+%28photo+by+Sam+Roberts%29+%282%29.jpg Pop culture miscellany - Composition for three kit models 2016 Kit model components, balsa, pins, acrylic paint 120x80x40cm Photograph by Sam Roberts This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461066730-KYTBGG4VB2Q2I7L17GRY/Composition+for+three+kit+models+%28photo+by+Sam+Roberts%29+%284%29.jpg Pop culture miscellany - Composition for three kit models 2016 Kit model components, balsa, pins, acrylic paint 120x80x40cm Photograph by Sam Roberts This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461079026-5SXNW9E7SF5RGCRT5Q3W/Composition+for+three+kit+models+%28photo+by+Sam+Roberts%29+%285%29.jpg Pop culture miscellany - Composition for three kit models 2016 Kit model components, balsa, pins, acrylic paint 120x80x40cm Photograph by Sam Roberts This object results from an attempt to build three different kit models, relating to three different pop-culture franchises, in the same space, at the same time. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461088088-90MHG3LHVC7TEMDUHTNT/The+Bodkin+Experiments+-+Ian+Hobbs+%281%29.jpg Pop culture miscellany - The Bodkin Experiments 2015 Heat lamp, thermometer, fixings Dimensions variable Photograph by Ian Hobbs Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461092330-ZKRO8NQOMCU8KP1QLF3P/The+Bodkin+Experiments+-+Ian+Hobbs+%282%29.jpg Pop culture miscellany - The Bodkin Experiments 2015 Modified stethoscopes 100x20x5cm Photograph by Ian Hobbs Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461112706-7ELU4GJZL9P9SEQI8DL0/The+Bodkin+Experiments+-+Sam+Roberts.jpg Pop culture miscellany - The Bodkin Experiments 2015 Turntable, compass 40x30x40cm Photograph by Sam Roberts Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461122364-QL1JSZLWZXXSYOVJ159F/The+Bodkin+Experiments+-+Tom+Loveday.JPG Pop culture miscellany - The Bodkin Experiments 2015 Sundial, acrylic paint, LED lights Dimensions variable Photograph by Tom Loveday Created for a group exhibition predicated on J.G. Ballard’s science fiction novel, ‘The Drowned World’, this sequence of works intervenes in some of the basic apparatus used to chart time, direction, volume, temperature, and distance. The works’ collective title, The Bodkin Experiments, makes reference to biologist Dr Alan Bodkin’s attempts to map and moderate the increasingly accelerated changes wrought on the human psyche by Ballard’s terrifying new Eden. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461334806-RN487R9GB3HMMLMXCJQB/Villainy+%281%29.JPG Pop culture miscellany - Villainy 2006 Timber, plywood, acrylic paint, varnish 150 x 240 x 70cm Installation view, Adelaide Central Gallery Photograph by Mick Bradley An exchange between a silent film villain and their victim is condensed into this sculptural tableau. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611461337699-QPWNB249I71U8Q98BXSZ/Villainy+%282%29.JPG Pop culture miscellany - Villainy 2006 Timber, plywood, acrylic paint, varnish 150 x 240 x 70cm Installation view, Adelaide Central Gallery Photograph by Mick Bradley An exchange between a silent film villain and their victim is condensed into this sculptural tableau. https://www.royananda.com/autobiography-series daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698218053-JFN1WXDGVIB4KGPU9JIP/Autobiographies+%28install+view%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald Installation view, Contemporary Art Centre of South Australia Photograph by James Field A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698218053-JFN1WXDGVIB4KGPU9JIP/Autobiographies+%28install+view%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald Installation view, Contemporary Art Centre of South Australia Photograph by James Field A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698242062-YJ4BVBHU6YHVK5EYUA4F/autobiography+covers+%283%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698217119-E7051OVCPPYKFB7ARICL/autobiography+covers+%281%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698224348-ZCNCS8SAXU7B8UGG4ZXU/autobiography+covers+%282%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698239026-0FSZ1PPQKFN6YTDFJG14/autobiography+covers+%284%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698253952-N6JJ8OJIVYMRREIQJNDX/autobiography+covers+%285%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698255073-RT2BI8BV0YRU0SQU83HQ/autobiography+covers+%286%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698262208-M9KBGIFYZIELRDEM8YVU/autobiography+covers+%287%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698261235-BF505IHY8OI884LV4PYX/autobiography+covers+%288%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698270565-D3PIHB38KD5BLHYLBMSW/autobiography+covers+%2810%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698269485-IQ1O8TOXZMB0ZX9IZIIN/autobiography+covers+%289%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698293331-FG1HOQ3TY6U5OJP1SAYO/autobiography+covers+%2811%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698278279-ZPCVHU1MQEZ8Y6GODMIG/autobiography+covers+%2812%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611698290659-1JBZZBZBJIJ81W0OLTTZ/autobiography+covers+%2813%29.jpg Autobiography series - Untitled 2012 Digital prints, books Dimensions variable Additional graphic design by Logan MacDonald A series of existing books are augmented with dust jackets in order to suggest that they are ostentatious and self-aggrandising autobiographies of the artist. https://www.royananda.com/annotations-series daily 0.75 2022-12-11 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756696976-5T59F7KLUNOVHZ3LQ309/Further+Annotations+%284%29.jpg Annotations series - Annotated 'Painting 1982' (Peter Booth, 1982) 2021 Wall vinyl 240x450cm Installation view, Art Gallery of South Australia Photograph by Saul Steed The subjects of Peter Booth’s nightmarish work ‘Painting 1982’ are ascribed various fictional provenances, derived from horror and fantasy film and literature, death metal albums, and other similarly macabre sources. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756696976-5T59F7KLUNOVHZ3LQ309/Further+Annotations+%284%29.jpg Annotations series - Annotated 'Painting 1982' (Peter Booth, 1982) 2021 Wall vinyl 240x450cm Installation view, Art Gallery of South Australia Photograph by Saul Steed The subjects of Peter Booth’s nightmarish work ‘Painting 1982’ are ascribed various fictional provenances, derived from horror and fantasy film and literature, death metal albums, and other similarly macabre sources. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756826298-77XVONBZ1SKJ4TTHQGFO/Further+Annotations+%284%29.jpg Annotations series - Annotated 'Painting 1982' (Peter Booth, 1982) 2021 Wall vinyl 240x450cm Installation view, Art Gallery of South Australia Photograph by Saul Steed The subjects of Peter Booth’s nightmarish work ‘Painting 1982’ are ascribed various fictional provenances, derived from horror and fantasy film and literature, death metal albums, and other similarly macabre sources. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756864531-1YZ8YQLBN9SO30YA1GII/Further+Annotations+%283%29.jpg Annotations series - Annotated 'Dark matter collective' (Olafur Eliasson, 2018) 2021 Wall vinyl 240x450cm Installation view, Art Gallery of South Australia Photograph by Saul Steed The 217 glass orbs making up Olafur Eliasson’s ‘Dark matter collective’ (2018) are ascribed various fictional provenances, derived from science-fiction, fantasy, and various other forms of speculative fiction. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757044056-L79WY43B3G9XSEGRV1OD/Further+Annotations+%283%29.jpg Annotations series - Annotated 'Dark matter collective' (Olafur Eliasson, 2018) 2021 Wall vinyl 240x450cm Installation view, Art Gallery of South Australia Photograph by Saul Steed The 217 glass orbs making up Olafur Eliasson’s ‘Dark matter collective’ (2018) are ascribed various fictional provenances, derived from science-fiction, fantasy, and various other forms of speculative fiction. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548239532-SHZNY6WCR12RUGOR98H5/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2938_HiRes.jpg Annotations series - Annotated ‘Saint Sebastian’ (Andrea Mantegna, 1490) 2018 Giclee print and pen on paper 45x60cm Additional graphic design by Jenna Pippett Artist statement from ‘Annotations’ series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548206998-U5DW6IX5NO96768PYC6T/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2925_HiRes.jpg Annotations series - Annotated film still (Mary Lambert (director), Pet Sematary, 1989) 2019 Giclee print and pen on paper 35x32cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548715323-RWOAXO3K5YZGUMI40TUV/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2896_HiRes.jpg Annotations series - Annotated record crate 2019 Giclee print and pen on paper 40x55cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548227573-A81F24RCUK5LCYUVR2T2/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2934_HiRes.jpg Annotations series - Annotated film still (Wolfgang Reitherman, Hamilton Luske and Clyde Geronimi (directors), One Hundred and One Dalmatians, 1961) 2019 Giclee print and pen on paper 60x65cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548208064-GDK685DPB88AE0I2O26Y/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2921_HiRes.jpg Annotations series - Annotated Whitman’s Sampler 2019 Giclee print and pen on paper 50x68cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548226168-G8GERX6NGLCYXIVBKILH/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2930_HiRes.jpg Annotations series - Annotated ‘Merry Christmas Grandma…we came in our new Plymouth’ (Norman Rockwell, 1950) 2019 Giclee print and pen on paper 25x40cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548241261-ANKGSCU0613BCRTDMKEV/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2936_HiRes.jpg Annotations series - Annotated ‘A Meat Stall with the Holy Family Giving Alms’ (Pieter Aertsen, 1551) 2018 Giclee print and pen on paper 36x46cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548253825-Z4YYDU9UKY0Y9ALSOSVM/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2944_HiRes.jpg Annotations series - Annotated Rider-Waite tarot deck (1910), Minor Arcana 2019 Giclee print and pen on paper 75x120cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548274481-HBR6HPS7ZN9VFW62YS9K/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2950_HiRes.jpg Annotations series - Annotated Rider-Waite tarot deck (1910), Major Arcana 2019 Giclee print and pen on paper 60x80cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548698511-5BM6YFCVLJ768RNEDS1R/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2888_HiRes.jpg Annotations series - Annotated Swiss army knife 2019 Giclee print and pen on paper 22x26cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548702002-EVLN9K0SVNB80HK5BBGC/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2890_HiRes.jpg Annotations series - Annotated ‘Temptation of St. Anthony’ (Matthias Grünewald, 1512-1516) 2018 Giclee print and pen on paper 32x63cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548707566-CRC44WXGVXFMCTP550QO/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2894_HiRes.jpg Annotations series - Annotated chess set 2019 Giclee print and pen on paper 26x53cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548722060-ITXN8N7RPOPY39LCL3KJ/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2903_HiRes.jpg Annotations series - Annotated merit badges 2019 Giclee print and pen on paper 35x94cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548744402-BLG6ANH9ULFEKBV7MX6R/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2908_HiRes.jpg Annotations series - Annotated Snakes and Ladders board 2019 Giclee print and pen on paper 30x38 Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548747958-QX7COY2241TE7YLJ33RN/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2910_HiRes.jpg Annotations series - Annotated ‘Campbell’s Soup Cans’ (Andy Warhol, 1962) 2019 Giclee print and pen on paper 40x42cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548756244-DE7YQS4MO9VI54I9S3N7/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2913_HiRes.jpg Annotations series - Annotated ‘The Princess and the Pea’ (Edmund Dulac, 2011) 2019 Giclee print and pen on paper 30x48cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548773212-97R34NLX1BY7S2NK5XC9/Annotated+works_Roy+Ananda_Works+Sep14+at+ACSA_2915_HiRes.jpg Annotations series - Annotated film still (The Simpsons, 1989-present) 2019 Giclee print and pen on paper 25x30cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548279450-PPJMC11Y8AW0VNO9SXS4/Annotations+%28preview+images+from+Hugo+Michell+Gallery%29+%281%29.jpg Annotations series - Annotated ‘Water’ (Giuseppe Arcimboldo, 1566) 2018 Giclee print and pen on paper 35x72cm Additional graphic design by Jenna Pippett https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548295105-7L544568HXPE20DOB0BE/Annotations+%28preview+images+from+Hugo+Michell+Gallery%29+%284%29.jpg Annotations series - Annotated ‘Medusa’ (Caravaggio, 1597) 2018 Giclee print and pen on paper 30x50cm Additional graphic design by Jenna Pippett https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548315295-TCP1V6PQMNH64XNQ1RYW/Annotations+%28preview+images+from+Hugo+Michell+Gallery%29+%285%29.jpg Annotations series - Annotated ransom note (the Lindbergh baby kidnapping case, 1932) 2018 Giclee print and pen on paper 45x60cm Additional graphic design by Jenna Pippett https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548343716-50Y1JGX7PRGRERQG4Q85/Annotations+%28preview+images+from+Hugo+Michell+Gallery%29+%288%29.jpg Annotations series - Annotated film still (Steven Spielberg (director), ‘Raiders of the Lost Ark’, 1981) 2018 Giclee print and pen on paper 65x80cm Additional graphic design by Jenna Pippett https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611548290225-1YN0QU73HIPJBDSTYRCU/Annotations+%28preview+images+from+Hugo+Michell+Gallery%29+%283%29.jpg Annotations series - Annotated ‘Witches' Sabbath’ (Francisco Goya, 1798) 2018 Giclee print and pen on paper 28x52cm Additional graphic design by Jenna Pippett Photograph by Sam Roberts https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670752715723-7GNPQTWFCCTVRL0FRROT/image-asset.jpeg Annotations series - Annotated orrery 2021 Giclee print and ink on paper 40x40cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670752883495-2WCNCUEBIQZIVBRB5SSD/image-asset.jpeg Annotations series - Annotated Silk Atlas of Comets (circa 185 BCE) 2021 Giclee print and ink on paper 47x34cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670753020643-KW0SVNE5TN6JFYEMBFRR/Annotations+%28Cosmic+Analogues%29+%281%29.jpg Annotations series - Annotated star chart 2021 Giclee print and ink on paper 35x60cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670753103022-MSLU754MXSJPWRE2YTE6/Annotations+%28Cosmic+Analogues%29+%284%29.jpg Annotations series - Annotated Space Invaders (Taito, 1978) 2021 Giclee print and ink on paper 55x40cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670753126749-SRSXURPNN2TSIUATE87E/Annotations+%28Cosmic+Analogues%29+%285%29.jpg Annotations series - Annotated Nebra sky disk 2021 Giclee print and ink on paper 52x30cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670753315755-R5SEKQNSE7HJIKO544MX/Annotations+%28Cosmic+Analogues%29+%286%29.jpg Annotations series - Annotated lunar phases 2021 Giclee print and ink on paper 35x25cm Photographs by Sam Roberts Artist statement for Annotations series https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670753408662-9O1PMJQ2TDSEE7H0OR1G/Annotations+%28Cosmic+Analogues%29+%287%29.jpg Annotations series - Annotated Mercury Seven 2021 Giclee print and ink on paper 35x28cm Photographs by Sam Roberts Artist statement for Annotations series https://www.royananda.com/isometric-works daily 0.75 2022-12-11 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670755946702-490YXLE74A43G4KBI3WZ/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670755946702-490YXLE74A43G4KBI3WZ/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756006233-QN4SVPK2O4Z53OQSRQ6B/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756070834-DSQGE63OYYEYB3IOBR4K/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756163651-ER0AX52VGOLFJQCQWGXW/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670749887276-R9IUIVLMWAE7DD7NUIVM/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670755829059-9Y15TXRGWDU48KRKGU4P/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670755880260-1M2U7ZD81Y8JRH0UJ1BW/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670750687120-XBDMSGFNGZK7R8ET27LM/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670750790192-CWGKXHLN5VC2TT5A0JYI/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670750858868-YC6365RHLVSEVNRXBTWI/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670750989326-2W1UFPF4NYW7W3QJPJWQ/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670751051459-6M2HA6Y4TBJEKUYMC70C/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756214717-RNFLZMF8MD3MD3HS2COL/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756276085-GG0HJNL6L98PXB3RC5GJ/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756406737-J5AURMCZNG8UHIFJJX88/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756329362-0L52MBQNH95NDGNNDL4Y/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756478954-998ZPIF9S5U1R0IUE9Z6/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756532539-ZKAPO2J07U7TM5BR3494/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756588505-TFLGSQX0ULDHM4D7LPES/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670756643611-L9WUAKEQE6LIZI5NE4HP/image-asset.jpeg Isometric works - Electronic void illusion 2022 Digital prints on paper, ink, thread, pins, acoustic pinboard 230x240x910cm Installation view, ACE Open/Adelaide Contemporary Experimental Photographs by Sam Roberts Data yielded by undertaking precisely one thousand online personality quizzes is configured into an isometric pictorial space, reminiscent of early science-fictional representations of cyberspace. Artist statement for Electronic void illusion https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670759476753-O070K8YMPXIB9IWGHUTE/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670759608172-1NPHLQ4XK73DDDO8IAIT/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670759769916-64QWZF93EQH49MOGVFM0/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760215813-2UYASLK1KLLNL5WYDSE8/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760311111-1YULI7EPFWW6Z3ECIF6O/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760369061-NDT32GOHWF0M9HXUL10R/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760422824-IF38LMJYZV9M0TOVYZGZ/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760479450-ZRE3SR9JZZR30CENYXJG/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760554355-KI5PFL8RPSGIO2KAMDRV/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760634082-V4UGIV8M3O1MX972GHT9/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760704733-9A7I0L7BNTS5IPUSBQLT/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760765681-U4EICFMVGXK8IM78YKWF/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760825753-5KEGOS1DBVN7A6TO3W5M/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760932070-N0U0BJEC9H431Z6HDDUH/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670760987302-2MB5KPYXA5SW2PUUN3SL/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761038820-CLDUF3KQ2DTXDP95BQYD/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761192164-XFZT27I5MJEHG1FWWD46/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761253659-JRLB325ADCGBXBVTV2E7/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761322625-KNJZEJDWOIMZTRE8RZBH/image-asset.jpeg Isometric works - Supreme Library 2021 Digital prints on paper, ink, acrylic sheet, chipboard, acoustic pinboard, pins Dimensions variable (footprint of work approximately 60 square metres) Installation view, Adelaide Central Gallery Photographs by Sam Roberts My collection of 4,354 pop-culture artefacts (including comics, vinyl records, miniature figures and so on) is catalogued via an installation consisting of an isometric collage and scrolling lengths of dot matrix printouts. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551338408-9J1YL299N8D335PE6LXE/Crate+for+my+record+collection.jpg Isometric works - Crate for my record collection 2020 Graphite and watercolour on paper 110x75cm Photograph by Sam Roberts This annotated isometric drawing proposes a design for a plastic crate, capable of housing the artist’s entire collection of vinyl records. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551304775-BNMY5VAPSQYX6A9TEJGW/Composition+for+three+orthorgraphic+views+%282%29.JPG Isometric works - Composition for three orthographic views 2017 Graphite, gesso, and digital prints on wall 250x400cm Installation view, Rayner Hoff Gallery, National Art School, Sydney Photograph by Steven Cavanagh In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551334158-1WMRUMP2LLFQQVK992Y5/Composition+for+three+orthorgraphic+views+%284%29.jpg Isometric works - Composition for three orthographic views (detail) 2017 Graphite, gesso, and digital prints on wall 250x400cm Installation view, Rayner Hoff Gallery, National Art School, Sydney Photograph by Steven Cavanagh In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551322435-8BYZ49TZOTAGOZ1VRQVI/Composition+for+three+orthorgraphic+views+%283%29.jpg Isometric works - Composition for three orthographic views (detail) 2017 Graphite, gesso, and digital prints on wall 250x400cm Installation view, Rayner Hoff Gallery, National Art School, Sydney Photograph by Steven Cavanagh In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551308356-S7YDEQXJI7PRVDKDHVW6/Composition+for+three+orthorgraphic+views+%281%29.JPG Isometric works - Composition for three orthographic views (detail) 2017 Graphite, gesso, and digital prints on wall 250x400cm Installation view, Rayner Hoff Gallery, National Art School, Sydney Photograph by Steven Cavanagh In this companion work to ‘Composition for three kit models’, three orthographic projections of schematics derived from the fictional worlds of ‘Star Wars’, ‘Aliens’, and ‘Dungeons & Dragons’, all compete for pictorial space, much in the same way that these various aspects of contemporary folklore complete for space in the artist’s psyche. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551440991-K48UO327EXTIXAE5A9WO/From+the+gulfs+of+space+%28James%27s+photos%29+%281%29.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by James Field Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551470308-B9W4X0VRIMF65CXEW1JC/JF20130514+-+Roy+Ananda+014.jpg Isometric works 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by James Field Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551461528-CY0D2QSWFTQBBX4FZI5Z/JF20130514+-+Roy+Ananda+012.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by James Field Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551491636-C87OC482KF9X48WYIQL1/Roy+Ananda_Works+Sep14+at+ACSA_3475_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551505086-Q6NU605D1N9WL9OBJQEW/Roy+Ananda_Works+Sep14+at+ACSA_3476_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551520538-YZME2SZKS1RKT8W1DDTZ/Roy+Ananda_Works+Sep14+at+ACSA_3477_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551531795-XRR5QAJY7JWVKYL3K64B/Roy+Ananda_Works+Sep14+at+ACSA_3479_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551552583-6GNUUBJ7CW0STI3KI7BM/Roy+Ananda_Works+Sep14+at+ACSA_3481_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551574446-JLMT94O5GP8OV35Y5PXQ/Roy+Ananda_Works+Sep14+at+ACSA_3482_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551574951-WKO56NRDLN4JENZLBLPC/Roy+Ananda_Works+Sep14+at+ACSA_3483_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551542232-RUO5HVQABQWHW8IS28F9/Roy+Ananda_Works+Sep14+at+ACSA_3480_HiRes.jpg Isometric works - From the gulfs of space to the wells of night 2012-2013 Collage, digital print, and graphite on paper 55 components, each 30x21cm Installation view, Contemporary Art Centre of South Australia Photograph by Sam Roberts Isometric drawings of various structures and apertures are interspersed with collaged images of outer space. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551354090-JFF0VMR3P9214XFV3NTW/Dungeon+modue+B2.jpg Isometric works - Dungeon Module B2: The Keep on the Borderlands (after Gary Gygax) 2018 Graphite, watercolour, and gesso on paper 188x77cm Photograph by Steph Fuller A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551382290-FTTQLDIRVGJ0LVYNTD2N/FELTApril2018+Print-68.jpg Isometric works - Dungeon Module B2: The Keep on the Borderlands (after Gary Gygax) 2018 Graphite, watercolour, and gesso on paper 188x77cm Photograph by Steph Fuller A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551397458-L6Q7DL1JI2IEAW67V12V/FELTApril2018+Print-71.jpg Isometric works - Dungeon Module B2: The Keep on the Borderlands (after Gary Gygax) 2018 Graphite, watercolour, and gesso on paper 188x77cm Photograph by Steph Fuller A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551420078-8ZBBLJXWF64GFFGGHB6H/FELTApril2018+Print-75.jpg Isometric works - Dungeon Module B2: The Keep on the Borderlands (after Gary Gygax) 2018 Graphite, watercolour, and gesso on paper 188x77cm Photograph by Steph Fuller A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611551440738-D6274X4BHPTEGDZTZY55/FELTApril2018+Print-79.jpg Isometric works - Dungeon Module B2: The Keep on the Borderlands (after Gary Gygax) 2018 Graphite, watercolour, and gesso on paper 188x77cm Photograph by Steph Fuller A companion piece to ‘Thin walls between dimensions’, this drawing transposes the dungeon map from Gygax’s iconic adventure module into a series of drawings which utilise a range of parallel metric projections. https://www.royananda.com/visual-puns daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556016832-LX6I9RTKLLPBZ0NHEZM9/Untitled+%28anvil+drawing%29+-+2020+scan+2.jpg Visual puns - Untitled 2004 Charcoal on paper, frame 42x30cm Installation view, Adelaide Central Gallery Photograph by Mick Bradley Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556016832-LX6I9RTKLLPBZ0NHEZM9/Untitled+%28anvil+drawing%29+-+2020+scan+2.jpg Visual puns - Untitled 2004 Charcoal on paper, frame 42x30cm Installation view, Adelaide Central Gallery Photograph by Mick Bradley Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556008634-VRG0F1GXHMT8I5UXGSKK/Untitled+%28anvil+drawing%29+-+2020+scan+1.jpg Visual puns - Untitled 2004 Charcoal on paper, frame 42x30cm Installation view, Adelaide Central Gallery Photograph by Mick Bradley Through both the gestural smudging of charcoal and its eccentric placement within its frame, a drawing describes the descent of an anvil from a great height. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555978184-UICGQEFBN7ET7WAUD2FK/Not+for+beginners+%281%29.jpg Visual puns - Not for beginners 2004 Site-specific drawing Dimensions variable Installation view, Nexus Cabaret Window, Adelaide Photograph by Mick Bradley The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale. Artist statement for Not for beginners https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555987751-AW2MZ0UI1TR2LCIO3CVM/Not+for+beginners+%282%29.JPG Visual puns - Not for beginners (detail) 2004 Site-specific drawing Dimensions variable Installation view, Nexus Cabaret Window, Adelaide Photograph by Mick Bradley The action-film trope of characters hurling themselves through plate glass windows is referenced by way of five figurative drawings on glass, rendered at one-to-one scale. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555998330-KRJQ7PNKS1O1EBL6P1UX/Siegfried+erschalgt+Fafner+-+2020+scan+1.jpg Visual puns - Siegfried erschlägt Fafner 2004 Gouache on paper 18x15x12cm Photograph by Mick Bradley The slaying of the dragon Fafner by the protagonist of Wagner’s Ring Cycle, Siegfried, is expressed through both the representational nature of drawing and physical manipulation of that drawing’s support. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555958545-62QF356DO6KVHF9EAZMV/Escape+scenarios+1-3.JPG Visual puns - Escape scenarios 1-3 2004 Charcoal pencil on rice paper Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley Draping over a gallery wall, three drawings propose three means of interacting with said wall, both through their imagery and through their physical relationship to the architecture. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555956774-HODPAXG9SN1ZF5Y1OYG4/7.jpg Visual puns - Untitled 2007 Graphite on paper and drafting film 15x15cm Photograph by Mick Bradley This series of drawings invokes visual puns afforded by an image on drafting film laid over an image on opaque paper. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611555962283-GZW7AQAW19Q5BR2DZKJZ/For+Jerry.jpg Visual puns - For Jerry 2007 Ink on paper 8x6cm Installation view, Downtown Art Space, Adelaide Photograph by Mick Bradley A drawing of a mousehole is pinned to the lower portion of the gallery wall. https://www.royananda.com/drawing-print-and-collage-miscellany daily 0.75 2022-12-13 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670907175630-VMZU242DZXDS8WQ8ZPI1/image-asset.jpeg Drawing, print and collage miscellany - Black Flag through Wu-Tang Clan (after Jasper Johns) 2022 Heat transfer vinyl on cotton t-shirt 80x60cm Printed by Marian Sandberg Photograph by Sam Roberts Referencing Jasper Johns’ 1960 lithograph ‘0 through 9’, ten iconic band logos are overlaid with one another on a t-shirt created for the 2022 FELTspace fundraising auction. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670907175630-VMZU242DZXDS8WQ8ZPI1/image-asset.jpeg Drawing, print and collage miscellany - Black Flag through Wu-Tang Clan (after Jasper Johns) 2022 Heat transfer vinyl on cotton t-shirt 80x60cm Printed by Marian Sandberg Photograph by Sam Roberts Referencing Jasper Johns’ 1960 lithograph ‘0 through 9’, ten iconic band logos are overlaid with one another on a t-shirt created for the 2022 FELTspace fundraising auction. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670907218583-0QHSYV70TCNMLX7DWMWA/image-asset.jpeg Drawing, print and collage miscellany - Black Flag through Wu-Tang Clan (after Jasper Johns) 2022 Heat transfer vinyl on cotton t-shirt 80x60cm Printed by Marian Sandberg Photograph by Sam Roberts Referencing Jasper Johns’ 1960 lithograph ‘0 through 9’, ten iconic band logos are overlaid with one another on a t-shirt created for the 2022 FELTspace fundraising auction. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556559763-P7OXGO8SKD7BOOFC7365/Self-portrait+as+Lead+Cenobite.jpg Drawing, print and collage miscellany - Self-portrait as Lead Cenobite 2016 Wax crayon pencil, digital print, pins, paper, plywood 15x10cm Photograph by Sam Roberts A photograph of the artist is augmented with wax crayon and stainless-steel pins so as to resemble the primary antagonist of the ‘Hellraiser’ media franchise. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556567481-NQ7ZWMITOS3O7XWEDSSA/The+Marlinspike+Sessions+%281%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556578684-IRFU5O1ZOAC20NZB0Z52/The+Marlinspike+Sessions+%282%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photographs by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556598551-7KENIZFYYBRJF7E5P968/The+Marlinspike+Sessions+%284%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photographs by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556584750-P6Z3IXOQCZ9MRAQCHMC2/The+Marlinspike+Sessions+%283%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556608280-BX765B4HOABIM2KCCRJ1/The+Marlinspike+Sessions+%285%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556617870-TNAEJ0O99YZWVLQ2IA4M/The+Marlinspike+Sessions+%286%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556628608-595LUXJHZMIHD87PGDHI/The+Marlinspike+Sessions+%287%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556506738-0HVVCHKA34N4PWIL0MCZ/Abecadarium+36dpi+copy.jpg Drawing, print and collage miscellany https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556637169-9UGAZO752IFB3DNTIABH/The+Marlinspike+Sessions+%288%29.jpg Drawing, print and collage miscellany - The Marlinspike Sessions 2006 Watercolour, gouache, marker, and graphite on paper Dimensions variable Photograph by Mick Bradley Tropes and motifs from Warner Brothers’ cartoons, Herge’s ‘Adventures of Tintin’, silent films, and slapstick comedy are variously quoted from, celebrated, and hybridised in this suite of drawings. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556542504-SZPQGO8JZ85VSZ857PZA/For+Max+-+2020+scan.jpg Drawing, print and collage miscellany - For Max 2006 Watercolour and graphite on paper 23x25cm Photograph by Mick Bradley A linked pair of visual quotations from Maurice Sendak’s ‘Where the Wild Things Are’ (1963) acts as an abridgement of the book’s narrative arc. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556536943-3GPSXW2DWBI2T97T1834/Beard+works+2.jpg Drawing, print and collage miscellany - Assorted beard works 2010-2011 2010-2011 Drawing, photographs, collages, and low relief sculptures Dimensions variable Photograph by Mick Bradley Installation view, Adelaide Central Gallery Presented as part of ‘Home Stories’, a collaboration between South Australia’s Migration Museum and Adelaide Central Gallery, this suite of follically-themed works responds to a fake beard, dated early 20th century, from the Museum’s collection. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556560913-LH17CE3JXLQVMOO7LKAC/P1010815.jpg Drawing, print and collage miscellany - Good coaching is important 2008 Gouache and collage on paper 12x18cm Photograph by Roy Ananda A small intervention in a found image reimagines it through the lenses of comic books and kung fu movies. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556669129-ZYVLQ573XRFTZFVNIDE7/Abecadarium+36dpi+copy.jpg Drawing, print and collage miscellany - Abecedarium 2011 Digital print Dimensions variable An A-Z of famous beards are assembled as a series of pixelated photographic images. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611556646059-KD0JLPMJQH0TPLCTZBEH/Verbs.jpg Drawing, print and collage miscellany - Verbs 2004 Pencils, cardboard 4x20x1cm Photograph by Mick Bradley Five pencils are each inscribed with a single-word directive for their use. https://www.royananda.com/processbased-works-20022004 daily 0.75 2021-01-25 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463645551-ISKW2MP3OOV6OMY2J67O/Drawing+Cube+1+%284%29.jpg Process-based works 2002-2004 - Drawing Cube (first state) 2002 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley The first iteration of this portable space for highly physical acts of drawing generates gestural marks made by feel rather than sight, using three-metre-long dowel styluses, tipped with chalk. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463645551-ISKW2MP3OOV6OMY2J67O/Drawing+Cube+1+%284%29.jpg Process-based works 2002-2004 - Drawing Cube (first state) 2002 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley The first iteration of this portable space for highly physical acts of drawing generates gestural marks made by feel rather than sight, using three-metre-long dowel styluses, tipped with chalk. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463609798-Q8D4NDFMNG4T33IG7ZZA/Drawing+Cube+1+%282%29.jpg Process-based works 2002-2004 - Drawing Cube (first state) 2002 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley The first iteration of this portable space for highly physical acts of drawing generates gestural marks made by feel rather than sight, using three-metre-long dowel styluses, tipped with chalk. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463665366-BN2Y8YZPP3XYJI8V411Y/Drawing+Cube+1+%286%29.jpg Process-based works 2002-2004 - Drawing Cube (first state) 2002 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Adelaide Central Gallery Photograph by Mick Bradley The first iteration of this portable space for highly physical acts of drawing generates gestural marks made by feel rather than sight, using three-metre-long dowel styluses, tipped with chalk. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463677176-YFH5HUDDA23ZO1BCUJ5X/Drawing+Cube+2+%281%29.jpg Process-based works 2002-2004 - Drawing Cube (second state) 2003 MDF, timber, fixings, wheels 215 x 200 x 200cm Installation view, Contemporary Art Centre of South Australia Project Space Photograph by Mick Bradley Projected images of the work’s previous state are overlaid and inscribed onto the cube’s surface with a router. A procedural system dictates the varying depths to which the router bit is set, resulting in the irregular erosion at the base of the structure. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463697687-RTH2G1CT7Z78Z4RHH95S/Drawing+Cube+2+%284%29.JPG Process-based works 2002-2004 - Drawing Cube (second state) 2003 MDF, timber, fixings, wheels 215 x 200 x 200cm Installation view, Contemporary Art Centre of South Australia Project Space Photograph by Mick Bradley Projected images of the work’s previous state are overlaid and inscribed onto the cube’s surface with a router. A procedural system dictates the varying depths to which the router bit is set, resulting in the irregular erosion at the base of the structure. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463685392-0T2EQ31HHX48CSMTGIGR/Drawing+Cube+2+%282%29.JPG Process-based works 2002-2004 - Drawing Cube (second state) 2003 MDF, timber, fixings, wheels 215 x 200 x 200cm Installation view, Contemporary Art Centre of South Australia Project Space Photograph by Mick Bradley Projected images of the work’s previous state are overlaid and inscribed onto the cube’s surface with a router. A procedural system dictates the varying depths to which the router bit is set, resulting in the irregular erosion at the base of the structure. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463717009-TQU71IOCR6LWVFKP2PZV/Drawing+Cube+2+%285%29.JPG Process-based works 2002-2004 - Drawing Cube (second state) 2003 MDF, timber, fixings, wheels 215 x 200 x 200cm Installation view, Contemporary Art Centre of South Australia Project Space Photograph by Mick Bradley Projected images of the work’s previous state are overlaid and inscribed onto the cube’s surface with a router. A procedural system dictates the varying depths to which the router bit is set, resulting in the irregular erosion at the base of the structure. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463760636-7VJBWXFAKTP1R7OV5NXR/Drawing+Cube+3+%287%29.jpg Process-based works 2002-2004 - Drawing Cube (third state) 2003 MDF, timber, fixings, wheels, acrylic paint, studio detritus, handwritten list Two components, each 215 x 200 x 200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley In this iteration, the carved surfaces of the extant cube are inverted, with all apertures boarded up in the manner of an abandoned building. Unfinished works and other studio detritus are assembled into a second structure of the same dimensions as the original. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463748837-4XKUOTD2M8NEE5R9U6KY/Drawing+Cube+3+%286%29.jpg Process-based works 2002-2004 - Drawing Cube (third state) 2003 MDF, timber, fixings, wheels, acrylic paint, studio detritus, handwritten list Two components, each 215 x 200 x 200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley In this iteration, the carved surfaces of the extant cube are inverted, with all apertures boarded up in the manner of an abandoned building. Unfinished works and other studio detritus are assembled into a second structure of the same dimensions as the original. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463801293-S25XJCHPJNT31NS6U1N3/Drawing+Cube+3+%2812%29.jpg Process-based works 2002-2004 - Drawing Cube (third state) 2003 MDF, timber, fixings, wheels, acrylic paint, studio detritus, handwritten list Two components, each 215 x 200 x 200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley In this iteration, the carved surfaces of the extant cube are inverted, with all apertures boarded up in the manner of an abandoned building. Unfinished works and other studio detritus are assembled into a second structure of the same dimensions as the original. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463788599-Z5O8F49RSCA3UO3GJNM2/Drawing+Cube+3+%289%29.jpg Process-based works 2002-2004 - Drawing Cube (third state) 2003 MDF, timber, fixings, wheels, acrylic paint, studio detritus, handwritten list Two components, each 215 x 200 x 200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley In this iteration, the carved surfaces of the extant cube are inverted, with all apertures boarded up in the manner of an abandoned building. Unfinished works and other studio detritus are assembled into a second structure of the same dimensions as the original. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463741823-VGKX7YMJ5LSUSZANO141/Drawing+Cube+3+%283%29.jpg Process-based works 2002-2004 - Drawing Cube (third state) 2003 MDF, timber, fixings, wheels, acrylic paint, studio detritus, handwritten list Two components, each 215 x 200 x 200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley In this iteration, the carved surfaces of the extant cube are inverted, with all apertures boarded up in the manner of an abandoned building. Unfinished works and other studio detritus are assembled into a second structure of the same dimensions as the original. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463858113-URO8OYZFTO14OAZ0S8P7/Drawing+Cube+4+%284%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, artist’s studio, Norwood, South Australia Photograph by Mick Bradley The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463841201-2TG73QMU9LO3PJ5EC4OT/Drawing+Cube+4+%283%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, artist’s studio, Norwood, South Australia Photograph by Mick Bradley The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463822531-3F0SFR7IQ66V9CBE9GFI/Drawing+Cube+4+%281%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463888628-LJSH8YPTYWON21FKZWI9/Drawing+Cube+4+%285%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464019451-B4D3RFZVT9DOEN9MOQDD/Drawing+Cube+4+%2814%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463995062-OMMP41T6I049K0YVUJ8P/Drawing+Cube+4+%2812%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463976528-B162YI3UNCF34GBRP5SG/Drawing+Cube+4+%2810%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463951763-BGY6G41198LYYQAMBOIG/Drawing+Cube+4+%288%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463906668-87NO2IXVLTEZ0N1TD5FS/Drawing+Cube+4+%286%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463935448-T5L0ZSM81YDESTS79JLG/Drawing+Cube+4+%287%29.jpg Process-based works 2002-2004 - Drawing Cube (fourth state) 2004 MDF, timber, fixings, wheels, acrylic paint, chalk Dimensions variable Installation view, Drill Hall Gallery, Australian National University, Canberra The final form of Drawing Cube extrapolates on accumulated traces from previous states. The inscriptions, repairs, and annotations on its surface become a template for the additional cuts, hinges, and timber exoskeletons that characterise this phase of the work. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464057876-WVSV125E1EV19BKQ3CFX/The+walls+became+the+world+all+around+2020+scan+2.jpg Process-based works 2002-2004 - The walls became the world all around 2003 Cardboard, dowel, suitcase, fixings 300x150x250cm Installation view, Downtown Art Space, Adelaide Photograph by Mick Bradley Expanding on the role that the cardboard box has as a basic unit of childhood play and construction, this work attempts to analogise a child-like flight of imagination. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464046188-A8HYGRGT62M43FLFJZ4R/The+walls+became+the+world+all+around+6.jpg Process-based works 2002-2004 - The walls became the world all around 2003 Cardboard, dowel, suitcase, fixings 300x150x250cm Installation view, Downtown Art Space, Adelaide Photograph by Mick Bradley Expanding on the role that the cardboard box has as a basic unit of childhood play and construction, this work attempts to analogise a child-like flight of imagination. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611463624835-7C48K4BAYG0P5N6LR8Q7/000014.JPG Process-based works 2002-2004 - The walls became the world all around 2003 Cardboard, dowel, suitcase, fixings 300x150x250cm Installation view, Downtown Art Space, Adelaide Photograph by Mick Bradley Expanding on the role that the cardboard box has as a basic unit of childhood play and construction, this work attempts to analogise a child-like flight of imagination. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464033464-MCPZK4YB5IGKX74WKNPA/Further+Doings+%28installation+view%29.jpg Process-based works 2002-2004 - Further Doings (installation view) Group exhibition at Downtown Art Space, Adelaide, 2003 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464076793-5DCUGCKTD1S9FZ2BYWHM/Thousand-fold+%28catalogue+shots%29+%2820%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. Catalogue essay for Thousand-fold by Heather Butterworth https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464065204-NGFX4U0G3W4FH7VJCCOC/Thousand-fold+%28catalogue+shots%29+%2816%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464090418-GDM10IBNQXVC7XLPCM5Z/Thousand-fold+%28install+shots%29+%281%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464120288-H9P469CH1BXGAXTV9EFS/Thousand-fold+%28install+shots%29+%2819%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464115660-J54TYLAZ9SKRBCJ8JF3M/Thousand-fold+%28install+shots%29+%2822%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464133916-DKBMIDCOXXRIMQ99MHD3/Thousand-fold+%28install+shots%29+%2829%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464146085-AI0VP0VEUWOF4J600UKD/Thousand-fold+%28install+shots%29+%2837%29.JPG Process-based works 2002-2004 - Thousand-fold 2004 Collaboration between Roy Ananda and Julia Robinson Dimensions variable Cardboard, thread, fixings Installation view, 151 Hindley Street, Adelaide Photograph by Mick Bradley This collaborative work conflates Robinson’s penchant for folklore and fairy tales and Ananda’s focus on materials and process. The work was subsequently shown as part of the 2004 iteration of ‘Primavera’ at the Museum of Contemporary Art, Sydney. Julia Robinson is represented by Hugo Michell Gallery, Adelaide. https://www.royananda.com/process-based-works-2007-2009 daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464826500-VFY6XVZ9C04IG1QDZA7S/Twelve+Tasks.jpg Process-based works 2007-2009 - Twelve Tasks 2007 Timber, wheels, acrylic paint, fixings 200x200x200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley Remnants of past works are compressed and corralled into a bristling, top heavy structure. The work’s title alludes to both the trials of the mythic figure Hercules and the dry, procedural approach to artmaking taken by artists such as Sol LeWitt and Barry Le Va. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464826500-VFY6XVZ9C04IG1QDZA7S/Twelve+Tasks.jpg Process-based works 2007-2009 - Twelve Tasks 2007 Timber, wheels, acrylic paint, fixings 200x200x200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley Remnants of past works are compressed and corralled into a bristling, top heavy structure. The work’s title alludes to both the trials of the mythic figure Hercules and the dry, procedural approach to artmaking taken by artists such as Sol LeWitt and Barry Le Va. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464814396-R23WVMNU8LXH15ZUF4VI/Twelve+Tasks+%28detail%29.jpg Process-based works 2007-2009 - Twelve Tasks (detail) 2007 Timber, wheels, acrylic paint, fixings 200x200x200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley Remnants of past works are compressed and corralled into a bristling, top heavy structure. The work’s title alludes to both the trials of the mythic figure Hercules and the dry, procedural approach to artmaking taken by artists such as Sol LeWitt and Barry Le Va. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464487865-YTLINR5LZC91UWLGMV6M/IMGP8707.JPG Process-based works 2007-2009 - Twelve Tasks (detail) 2007 Timber, wheels, acrylic paint, fixings 200x200x200cm Installation view, Artspace, Adelaide Festival Centre Photograph by Mick Bradley Remnants of past works are compressed and corralled into a bristling, top heavy structure. The work’s title alludes to both the trials of the mythic figure Hercules and the dry, procedural approach to artmaking taken by artists such as Sol LeWitt and Barry Le Va. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464786730-D2X5JLWYY0UIC56BTD4X/P1080115+cropped.jpg Process-based works 2007-2009 - Work in progress, 2007 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464804590-2HB7CRF8HGHFVXIZ9AIJ/P1080274.jpg Process-based works 2007-2009 - Work in progress, 2007 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464853285-UN4YHUCYPUIYCB3NDRV4/Untitled+%28Big+Racket+ocky+strap+work%29.jpg Process-based works 2007-2009 - Big Racket (detail) 2008 Dimensions variable Installation view, Gippsland Art Gallery, Victoria Photographs by Geoff Parrington Driven in part by logistical considerations like freight and availability of studio space, these works utilise hinges, latches, and straps across a range of collapsible, concentric forms. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464838829-KZQ0BCCCO5OO0BEMJJRM/Untitled+%28Big+Racket+hook+and+eye+work%29+%281%29.jpg Process-based works 2007-2009 - Big Racket (detail) 2008 Dimensions variable Installation view, Gippsland Art Gallery, Victoria Photographs by Geoff Parrington Driven in part by logistical considerations like freight and availability of studio space, these works utilise hinges, latches, and straps across a range of collapsible, concentric forms. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464864124-IR0ZBDK7MV30QXHWZMLK/Work+in+progress+2008.jpg Process-based works 2007-2009 - Work in progress, 2008 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464436887-JNR0FI59VA6T6KO8VY95/a_pano.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. Artist statement for Put a sock in it https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464440087-I964OT7O53NKDHYTH9DT/a_pano2.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464397649-N286SSPTT0VGEQLETFLL/011.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464403221-7O9LBWMPK1JQOBM33IHH/012.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464410484-I2NDWJY27K6ALQO2ADMN/015.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464417871-RYO3O7NI9224MZ8CCFFT/018.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464429737-JCE9M4TYTX5VCAEJ4O9Q/037.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464432447-MKE3N6ROSPVLVR0K093K/042.jpg Process-based works 2007-2009 - Put a sock in it 2008 Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble A rigorously process-driven period of studio practice yields this iterative series of sculptures, digital animations, and pseudo-instructional diagrams. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464442904-56VZMR5R689CSFVPHCEN/a_roy_vr1.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. Artist statement for Terraformer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464498221-AEFFI6RBUPTLVUC0B7QQ/nobleimaging_001.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photographs by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464505813-BI052QPQR7QSHP9ZOYM4/nobleimaging_005.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464514284-WA0VD76IP5Q7JAC3AMKE/nobleimaging_007.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464521027-BRS1TV21WPQE3LE2SFLD/nobleimaging_009.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464544232-QQEQAVRRZ3CTLG6S8WYU/nobleimaging_018.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464543417-9EFMNMOKNPFGYWCRQA83/nobleimaging_025.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464555254-JWBP44O22OFBTQS1LMFK/nobleimaging_028.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464562510-KCM5TTVG21EURK5LOS4Z/nobleimaging_038.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464572578-U8FTBN5SPFH93FVPKUED/nobleimaging_042.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464586474-U9KU5GEH77LPEYACZLDQ/nobleimaging_045.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464597207-UV32IBF8ZNWPBIY4V7ZT/nobleimaging_048.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464605820-BOI07VPVY3D4CINO0ZT6/nobleimaging_055.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464626982-1TQPSGEI95QGD6P61H3Z/nobleimaging_058.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464634245-P1C3OCYFNXE6YMGR1RX3/nobleimaging_061.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464649539-6BQ14SK7Y1M9S2Q0HI16/nobleimaging_065.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464657239-0D212Q7DW92H0R8236LE/nobleimaging_073.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464697164-V7V4T9329M0I7KFIT5Q6/nobleimaging_079.jpg Process-based works 2007-2009 - Terraformer 2009 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, Dianne Tanzer Gallery + Projects, Melbourne Photograph by Andrew Noble The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464724750-3ESWEQYGJ6850JY2V3Y0/P1010334.JPG Process-based works 2007-2009 - Work in progress 2009-2009 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464744674-TR3AKY3V0ON0A0R36X4W/P1010336.JPG Process-based works 2007-2009 - Work in progress 2008-2009 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464769104-ZFS63BA256TSH6P5JB0J/P1010341.JPG Process-based works 2007-2009 - Work in progress, 2008-2009 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570950619-USTZRTW967GW73A6ZOX2/GP1110_511.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570954546-CT2IAMCLO643FH7BR7FT/GP1110_515.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570960392-25JG1HW5JODDYQCTNPKR/GP1110_527.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570967277-L7XDC30O2UXTM12XA0BW/GP1110_530.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570971322-W17W1D2AEC34CK7PZT58/GP1110_531.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570976743-BRV86GWP1SOL986QSTB5/GP1110_533.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611570981687-RQ3MDZPWQDP8JYRMBPSP/GP1110_538.jpg Process-based works 2007-2009 - Gravity assist 2010 Balsa wood, pins, acrylic paint, foam, found objects Dimensions variable Installation view, GrantPirrie Gallery, Sydney The approach and aesthetic of previous large-scale, process-based works are applied to a scale more associated with architectural models. In doing so, they engage with the world-building impulse of the model train enthusiast or tabletop miniature gamer. https://www.royananda.com/processbased-works-20102013 daily 0.75 2021-01-26 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465126993-A59SADI3J57Z32AQNM2N/Untitled+%28cubby+house+work%29+%284%29.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. Artist statement for The New New, CACSA, 2010 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465126993-A59SADI3J57Z32AQNM2N/Untitled+%28cubby+house+work%29+%284%29.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. Artist statement for The New New, CACSA, 2010 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465009056-EDJG2QOT0VT11UPXMB42/IMGP0468.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464982778-KDGRVH5BPO2ZN6ZRZET9/IMGP0467.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464960256-HQ9GQ8B5Q3UJ9BPOUMAI/IMGP0434.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465034682-EE4OW65EDNPQ57TUUDZM/IMGP0471.jpg Process-based works 2010-2013 - Untitled 2010 Timber, plywood, castors, fixings, acrylic paint 300x500x400cm Installation view, The Galerie, Adelaide Photograph by Mick Bradley Extant elements of the artist’s childhood cubbyhouse are extrapolated on with a series of props, ramps, ladder forms, and exoskeletal structures. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465045193-7EAJAJCMHA8W77L6TJ4M/JF20110930+-+Roy+Ananda+003.jpg Process-based works 2010-2013 - Meganaut Ultra 2011 Timber, acrylic paint, fixings Dimensions variable Photograph by James Field Installation view, Adelaide Central Gallery https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465051101-R6L10UEP3KPIY8SGBPFB/JF20110930+-+Roy+Ananda+005.jpg Process-based works 2010-2013 - Meganaut Ultra 2011 Timber, acrylic paint, fixings Dimensions variable Photograph by James Field Installation view, Adelaide Central Gallery https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465058138-CK4NI4ITZXIW8EGV5N4Y/JF20110930+-+Roy+Ananda+009.jpg Process-based works 2010-2013 - Meganaut Ultra 2011 Timber, acrylic paint, fixings Dimensions variable Photograph by James Field Installation view, Adelaide Central Gallery https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465062971-WXO9BCZ4RVG19DKOIHE1/JF20110930+-+Roy+Ananda+021.jpg Process-based works 2010-2013 - Meganaut Ultra 2011 Timber, acrylic paint, fixings Dimensions variable Photograph by James Field Installation view, Adelaide Central Gallery https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464948628-4CTMUF03A3GSDOZVVSQ0/ACSA+0111+24.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464946684-PAC3G79M91MU53ECUXJ3/ACSA+0111+23.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464940715-UT2M41LEJFGATLP7ZSY2/ACSA+0111+17.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464942246-NMWWFPKH5HXTZDRH6EA9/ACSA+0111+18.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464944121-VICDUDFU4G1ZYHNN6621/ACSA+0111+19.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611464950540-D55ASN1Z0DM6CIPZ6QOD/ACSA+0111+25.jpg Process-based works 2010-2013 - Chin supports 2011 Plaster, acrylic paint, balsa wood, pins Dimensions variable Photograph by Michael Kluvanek Plaster casts of the artist’s chin, jaw and neck are supported by various sculptural props. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465074627-TWVOICKL8J9T5MGTRIDP/JF20130514+-+Roy+Ananda+084.jpg Process-based works 2010-2013 - Aether drift 2013 Timber, acrylic paint, fixings, aluminium trestles 300x600x500cm Photograph by James Field Installation view, Australian Experimental Art Foundation, Adelaide A grid of painted timber hexagons spans across and around two aluminium ladders. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465089111-C5ALHBWE9LQ026F2KP5U/JF20130514+-+Roy+Ananda+090.jpg Process-based works 2010-2013 - Aether drift 2013 Timber, acrylic paint, fixings, aluminium trestles 300x600x500cm Photograph by James Field Installation view, Australian Experimental Art Foundation, Adelaide A grid of painted timber hexagons spans across and around two aluminium ladders. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611465105645-0R701BTNHDX874WHKNBH/JF20130514+-+Roy+Ananda+092.jpg Process-based works 2010-2013 - Aether drift 2013 Timber, acrylic paint, fixings, aluminium trestles 300x600x500cm Photograph by James Field Installation view, Australian Experimental Art Foundation, Adelaide A grid of painted timber hexagons spans across and around two aluminium ladders. https://www.royananda.com/new-gallery-1 daily 0.75 2026-01-13 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276883595-VYX9TZGUWOPMPSKMHRAP/image-asset.gif Hauntological works - test gif https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276883595-VYX9TZGUWOPMPSKMHRAP/image-asset.gif Hauntological works - test gif https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768196287741-DMV3XADGT9FYGT291H88/image-asset.jpeg Hauntological works - The Apparitionist 2023 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768274677917-8H28HUP5JRLGDUK6I1IS/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768274710502-AVAM2D2T44EVH25ZDENA/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768274825690-9F565621YQWS8P0WJSMY/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768274873065-RG31GAEPHNAY1AQU8UVS/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768274966354-Z9MK1Z1BLTAESJ7B7X3F/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275015476-XKVLMMHKGAU26IYZJG0L/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275091288-QKSUK1N07MK6RZ7CRFHQ/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275125828-ZOQAIUL65A0R3BH1SLZ8/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275189894-GTOYALVQ54LCVSL29DF2/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275272077-C9P7I8DT1COVB0X3O929/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768275419095-2RFOHLLJC9KFBBDLKEZD/image-asset.jpeg Hauntological works - The Apparitionist 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768277350646-JCXBE6FXTCR9UHRNPP08/image-asset.jpeg Hauntological works - Owners and occupants of earlier dates 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768277504432-HW9G204KKX2BA89V9JKB/image-asset.jpeg Hauntological works - The Baxter binoculars 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768278342711-CJ9VVANHFE2ZTUVJTYWE/image-asset.jpeg Hauntological works - Bensonian elementals 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768278445811-GMWZNXEVKARS51TKJ5E9/image-asset.jpeg Hauntological works - Stage four (conjunction) 2025 Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite Dimensions variable Installation view, Floating Goose Studios, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Exhibition text by Bob Fischer https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768116009856-WBDU7C0GWS1ICFO7LYQA/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276404938-5D9U0JVRIIUPSS0JF86C/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276443957-QZO2RM65AA6FNVW90BJ4/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276488520-648JI54CRF86HZ2UQ4IS/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276581078-TSZRO03MKMJIRV24M4ZT/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276649783-IEBBWE5PJFWIRJ0E9AIV/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768276614775-9T1T53Q8RHCNJ45T0RXU/image-asset.jpeg Hauntological works - The Pale Dossier 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768278700722-GCI1HT75P4CKTQ8W3HWX/image-asset.jpeg Hauntological works - A radiant abyss 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768278978729-0NY2X6UY3JSAFHZQHZZ2/image-asset.jpeg Hauntological works - Into that dark permanence of ancient forms 2023 Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins Dimensions variable Installation view, Post Office Projects, Adelaide Photograph by Sam Roberts In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge. Floorsheet from exhibition https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1768266060103-6HP8YX2OBCB8O024NNWE/image-asset.jpeg Hauntological works - Hauntological audio 2023 Edition of 10 audio cassettes, each packaged with a unique collage Photograph by Sam Roberts This mixtape contains a selection of audio aligned with the amorphous genre of hauntology. Side A is titled ‘Insistent Pasts’ and side B is titled ‘Lost Futures’, in an attempt to encapsulate hauntology’s preoccupation with temporality. https://www.royananda.com/works daily 1.0 2026-01-12 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611473555181-NRYSA7UNY6RL5ENFOME7/Slow%2Bcrawl%2B-%2BJames%2BField%2B%25283%2529.jpg Works https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611475508164-YEMNC3FNEUZQBR5Z40ZR/JF20130514+-+Roy+Ananda+090.jpg Works https://www.royananda.com/contact daily 0.75 2021-01-24 https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457378862003-QC8PO9E2LYVHW06IWNC5/image-asset.jpeg Contact https://www.royananda.com/contact-1 daily 0.75 2026-01-12 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611470897629-RIUD95M3NYHXJORUZ0XF/Self-portrait%2Bas%2BLead%2BCenobite.jpg About https://www.royananda.com/contact-2 daily 0.75 2021-01-24 https://www.royananda.com/sculpture-and-installation daily 0.75 2021-01-24 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611476223782-E8Z2OP23HSHANWUELISX/RoyAnanda_ThinWallsBetweenDimensions_AGSA+Biennial+May2018_004_HiRes.jpg Sculpture and installation https://www.royananda.com/popular-culture daily 0.75 2021-01-24 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611476467232-87MIZKGWKTNONQPMY2PF/JF20140714+-+Roy+Ananda+002.jpg Popular culture https://www.royananda.com/drawing-print-media-and-collage daily 0.75 2026-01-13 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611476832301-LJ2AE2XE8W0VBFM3CLPP/JF20130514+-+Roy+Ananda+014.jpg Drawing, print media and collage https://www.royananda.com/play-and-process-1 daily 0.75 2021-01-24 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611476348222-M75VGWM5RSLS4JXQ1C7B/P1080277.JPG Play and process https://www.royananda.com/text-sound-video-and-performance daily 0.75 2026-01-15 https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757141355-RTYIO2LCH7M9BQB5VOT9/Ready-made+rap+names%2C+2022.jpg Text, sound, video and performance - Ready-made rap names 2022 Collage and graphite on paper 30x21cm Text from the packaging of commonplace supermarket items has been repurposed as list of possible stage names for hip hop artists. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757206665-3JS2O5FTVMEO8TU3T8R7/img026.jpg Text, sound, video and performance - Ready-made band names (industrial) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757285465-LF4EXI4JX5CU6YRU5XEH/img027.jpg Text, sound, video and performance - Ready-made band names (hauntology) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757413106-09KDGJNYT5WHRKNDWW2D/img028.jpg Text, sound, video and performance - Ready-made band names (new wave) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757465411-WVH45BDQVOECSH98GTJ1/img029.jpg Text, sound, video and performance - Ready-made band names (doom metal) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757512885-J51DGG2J9A2MAUHWB4OM/img030.jpg Text, sound, video and performance - Ready-made band names (neofolk) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757769328-PZTE3GA3NAKDGDWO183M/img031.jpg Text, sound, video and performance - Ready-made band names (punk) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670757843547-8JXQV9S4B0BUC1HYGLVD/img032.jpg Text, sound, video and performance - Ready-made band names (death metal) 2022 Collage and graphite on paper 15x11cm Evocative phrases from a range of non-fiction and reference books have been appropriated as possible band names, suitable for a range of genres. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670752336876-2JRQZ90W749Z9TSS31L5/Untitled+%28fantales+wrarppers%29+%282%29.jpg Text, sound, video and performance - Untitled 2021 8x9cm Digital print Photographs by Sam Roberts Mimicking the signature packaging of ‘Fantales’ confectionary, these works pose trivia questions around fictional film stars and the films that made them. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670752297336-7CJJ69LIG870BZDW4FBC/Untitled%2B%2528fantales%2Bwrarppers%2529%2B%25281%2529.jpg Text, sound, video and performance - Untitled 2021 8x9cm Digital print Photographs by Sam Roberts Mimicking the signature packaging of ‘Fantales’ confectionary, these works pose trivia questions around fictional film stars and the films that made them. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670752359054-ZCMJEWS72120OMO3DF42/Untitled+%28fantales+wrarppers%29+%283%29.jpg Text, sound, video and performance - Untitled 2021 8x9cm Digital print Photographs by Sam Roberts Mimicking the signature packaging of ‘Fantales’ confectionary, these works pose trivia questions around fictional film stars and the films that made them. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761843958-BOBDPU5IBWYWC0DZQLRH/Micro-genre+generators+v1.1.jpg Text, sound, video and performance - Micro-genre generator v1.1 2021 Graphite on paper, cork, pins, dice 150x105x5cm Photograph by Sam Roberts Using a combination of evocative keywords, prefixes and suffixes, these tables generate niche and ultra-specific fictional micro-genres that might notionally be spawned in subReddits dedicated to music and gaming. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761966636-LVIQTXCPZV4CF9AMXE9U/Micro-genre+generators+v1.2.jpg Text, sound, video and performance - Micro-genre generator v1.2 2021 Graphite on paper, cork, pins, dice 150x105x5cm Photograph by Sam Roberts Using a combination of evocative keywords, prefixes and suffixes, these tables generate niche and ultra-specific fictional micro-genres that might notionally be spawned in subReddits dedicated to music and gaming. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670762048659-H5INJJTUFLKM6E1KXOCV/Micro-genre+generators+v1.3.jpg Text, sound, video and performance - Micro-genre generator v1.3 2021 Graphite on paper, cork, pins, dice 150x105x5cm Photograph by Sam Roberts Using a combination of evocative keywords, prefixes and suffixes, these tables generate niche and ultra-specific fictional micro-genres that might notionally be spawned in subReddits dedicated to music and gaming. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670762114799-QXFHQ83IESNFDXTJY64J/Micro-genre+generators+v1.4.jpg Text, sound, video and performance - Micro-genre generator v1.4 2021 Graphite on paper, cork, pins, dice 150x105x5cm Photograph by Sam Roberts Using a combination of evocative keywords, prefixes and suffixes, these tables generate niche and ultra-specific fictional micro-genres that might notionally be spawned in subReddits dedicated to music and gaming. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1670761510091-KQWNF0NSE5XAWKZKAA3P/Mico-genre+generators+%281%29.jpg Text, sound, video and performance - Micro-genre generator v1.5 2021 Graphite on paper, cork, pins, dice 150x105x5cm Photograph by Sam Roberts Using a combination of evocative keywords, prefixes and suffixes, these tables generate niche and ultra-specific fictional micro-genres that might notionally be spawned in subReddits dedicated to music and gaming. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466107545-KIQ1XJVJPETEA0ZCNC1P/72+acts+of+fandom+%284%29.jpg Text, sound, video and performance - 72 acts of fandom 2017 Artist book 21x13cm Edition of 100, plus artist proofs Seventy-two instructional artworks predicated on acts of obsessional pop-culture fandom are collated into an artist book. Purchase a copy via Hugo Michell Gallery. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466110754-UC1PRXQRYQSLE0J1NVYB/72+acts+of+fandom+%2812%29.jpg Text, sound, video and performance - 72 acts of fandom 2017 Artist book 21x13cm Edition of 100, plus artist proofs Seventy-two instructional artworks predicated on acts of obsessional pop-culture fandom are collated into an artist book. Purchase a copy via Hugo Michell Gallery. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466143132-IP29QX3PBL3NLL7K0Z71/At+the+Mountains+of+Madness+%28install+view%29.jpg Text, sound, video and performance - ‘At the Mountains of Madness’ by H.P. Lovecraft (annotated), page 101 of 102 2016 Giclée print on paper, frame Photograph by Sam Roberts The penultimate page from Lovecraft’s 1936 novella is enlarged, extensively annotated, then reprinted at its original scale. The annotations are colour coded, with red denoting factual information or statements that Lovecraft himself had made about the text, dark blue denoting adaptations of the text into media such as films, comics, or audio dramas, purple denoting information derived from role-playing games based on Lovecraft’s work, pale blue denoting insights or speculations posited by Lovecraft scholars, and orange denoting the artist’s own opinions and subjective tastes. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466152154-JDR80ZIHZQ1LRFAI0UDK/At+the+Mountains+of+Madness+%28detail%29.jpg Text, sound, video and performance - ‘At the Mountains of Madness’ by H.P. Lovecraft (annotated), page 101 of 102 2016 Giclée print on paper, frame Photograph by Sam Roberts The penultimate page from Lovecraft’s 1936 novella is enlarged, extensively annotated, then reprinted at its original scale. The annotations are colour coded, with red denoting factual information or statements that Lovecraft himself had made about the text, dark blue denoting adaptations of the text into media such as films, comics, or audio dramas, purple denoting information derived from role-playing games based on Lovecraft’s work, pale blue denoting insights or speculations posited by Lovecraft scholars, and orange denoting the artist’s own opinions and subjective tastes. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466227061-MHGONE7TTF5EX99WWCTW/Death+notice.jpg Text, sound, video and performance - Death notice 2016 Digital print on newsprint paper Dimensions 15x7cm Photograph by Sam Roberts A digital print mimics the appearance of a newspaper death notice, commemorating the death of the artist’s fictional alter ego in the tabletop role-playing game ‘Dungeons & Dragons’. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466231871-JK7ZURN5ELGKEYD44ZZB/Decalogue.jpg Text, sound, video and performance - Decalogue 2018 Digital print 30x42cm Additional graphic design by Jenna Pippett Two stone tablets appear to lay out ten moral precepts, each derived from a different pop-culture source. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466257950-L7ABDSSO6CDPJVIVENF2/Index+to+Neuromancer+%281%29.jpg Text, sound, video and performance - Index to the Ace Science Fiction paperback edition of ‘Neuromancer’ by William Gibson 2017 Ink and masking tape on paper 296x21cm Photograph by Sam Roberts This work consists of a hand-written index to Gibson’s prototypical cyberpunk novel. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466294337-QSXQPM17O945A00JWIG9/Index+to+Neuromancer+%282%29.jpg Text, sound, video and performance - Index to the Ace Science Fiction paperback edition of ‘Neuromancer’ by William Gibson (deatil) 2017 Ink and masking tape on paper 296x21cm Photograph by Sam Roberts This work consists of a hand-written index to Gibson’s prototypical cyberpunk novel. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466328280-S90DGMPUD4QXOCNZGYFT/T-shirt+design%2C+after+Experimental+Jetset.jpg Text, sound, video and performance - T-shirt design, after Experimental Jetset 2020 Coloured pencil on paper 110x75cm Photograph by Sam Roberts Appropriating Experimental Jetset’s iconic t-shirt design (which lists the given names of the members of The Beatles in Helvetica font), this proposed garment namechecks every character from George Lucas’s 1977 film ‘Star Wars’. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466346196-SJIXZLGASZ7IE7XICB4A/Untitled+%28imaginary+facebook+friends%29.jpg Text, sound, video and performance - Untitled 2016 Digital file Dimensions variable A composite digital image suggests that the artist’s Facebook friends list is populated exclusively by fictional characters. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466393016-C99MJXKNR24WP35QFIPP/Verb+list%2C+after+Richard+Serra+%282%29.jpg Text, sound, video and performance - Verb list, after Richard Serra (page one of two) 2018 Wax crayon pencil on paper 2 sheets, each 30x21cm Photograph by Sam Roberts The inventory of sculptural acts making up Richard Serra’s seminal text work ‘Verblist’ (1967-68) is substituted with impossible acts derived from science-fiction, fantasy, the occult, religion, and mythology. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466380911-MPK6SH016XIU4QT8M4MY/Verb+list%2C+after+Richard+Serra+%281%29.jpg Text, sound, video and performance - Verb list, after Richard Serra (page two of two) 2018 Wax crayon pencil on paper 2 sheets, each 30x21cm Photograph by Sam Roberts The inventory of sculptural acts making up Richard Serra’s seminal text work ‘Verblist’ (1967-68) is substituted with impossible acts derived from science-fiction, fantasy, the occult, religion, and mythology. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611656032422-I07R6TIPAGHZ1YN1ERA9/Kung+fu.jpg Text, sound, video and performance - do it, Adelaide Untitled 2015 Instructional artwork To accompany an iteration of Hans Ulrich Obrist’s on going ‘do it’ project held at the Anne and Gordon Samstag Museum of Art, a number of South Australian artists were commissioned to produce instructional artworks for a new ‘do it’ manual. Ananda’s contribution nods to both his role as a tertiary visual art educator and his fandom of the television series ‘Kung Fu’. “Enrol at an art school of your choice. When you are able to snatch a pebble from the hand of the institution’s most senior academic, withdraw from the course.” https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466325615-S430194HUTU9KR8PIL1Q/Shopping+list+scan.jpg Text, sound, video and performance - Shopping list 2014 Watercolour and digital print on paper 15x10cm Photograph courtesy of artist A mundane and domestic piece of text borrows gravitas from the signature expositional device of the ‘Star Wars’ media franchise. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611466305106-IE68G2IERY3U4DF7TRLA/Journal+entries+1998-2004+-+15x10cm.jpg Text, sound, video and performance - Journal entries 1998-2004 2004 Ink on paper, thread 12x16x20cm Photograph by Mick Bradley Excerpts from notebooks are bound with coloured thread, with words and phrases of import protruding from the confines of the stack. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611655730808-PDC457Q2DU2RK9BR0T9X/Vader+loop+%281%29.jpg Text, sound, video and performance - Vader loop 2017 Lathe-cut, locked groove vinyl record 30x30cm Photograph by Sam Roberts A recording of the distinctive breathing of ‘Star Wars’ villain Darth Vader is lathe-cut into a locked groove vinyl record, so as to play back as an indefinite loop. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611655728125-GPCKU0IUZH4XK3LRJLYQ/Vader+loop+%282%29.jpg Text, sound, video and performance - Vader loop 2017 Lathe-cut, locked groove vinyl record 30x30cm Photograph by Sam Roberts A recording of the distinctive breathing of ‘Star Wars’ villain Darth Vader is lathe-cut into a locked groove vinyl record, so as to play back as an indefinite loop. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/1611655733352-J8F0VF6SSNJ640XRYLWP/Vader+loop+%283%29.jpg Text, sound, video and performance - Vader loop 2017 Lathe-cut, locked groove vinyl record 30x30cm Photograph by Sam Roberts A recording of the distinctive breathing of ‘Star Wars’ villain Darth Vader is lathe-cut into a locked groove vinyl record, so as to play back as an indefinite loop. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/485d7221-6023-49f1-b39c-74278e9a0227/Hero+shot+for+%27Evidence+wall%27.jpg Text, sound, video and performance - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/b71c25ed-1a83-4696-b7ba-fc96651568ce/bingo+still+1.jpg Text, sound, video and performance - Make it stand out Bingo calls for the pop culture enthusiast (performance still from FELTlive, Queens Theatre, Adelaide, 2025), photograph by Rosina Possingham https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/85153196-268d-4865-93ce-b878fcbda445/bingo+still+2.jpg Text, sound, video and performance - Make it stand out Bingo calls for the pop culture enthusiast (performance still from FELTlive, Queens Theatre, Adelaide, 2025), photograph by Rosina Possingham https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/c3664562-40ff-4d12-911f-1364883b7598/SMALL+64b499ff7de034a04ee1f3a0_Fineprint_AGSA%2BPerformativeTour_Sep7%2B2018_039_LoRes.jpg Text, sound, video and performance - Make it stand out Roy Ananda, fine print live, Melrose Wing, Art Gallery of South Australia, September 2018. Photo by Nat Rogers. https://images.squarespace-cdn.com/content/v1/600cd6a43c156d341b53cbcc/ed8d70b6-da07-4d3f-8b23-1b1207b9e06f/SMALL+64b49bc0ea44af135275a4b0_20180907%2BFIRST%2BFRIDAYS%2BSRGB%2BPhoto%2B2000px%2BNat%2BRogers-4337-7441.jpg Text, sound, video and performance - Make it stand out Roy Ananda, fine print live, Melrose Wing, Art Gallery of South Australia, September 2018. Photo by Nat Rogers. https://www.royananda.com/more-about-roy-ananda daily 0.75 2026-01-13 https://www.royananda.com/writing daily 0.75 2026-01-13 https://www.royananda.com/test-search daily 0.75 2021-01-26