2023
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2025
Found images, acoustic pinboard, instamatic photographs, synthetic vellum, pins, paper, graphite
Dimensions variable
Installation view, Floating Goose Studios, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Found images, acoustic pinboard, instamatic photographs, digital prints on drafting film, synthetic vellum, felt, pins
Dimensions variable
Installation view, Post Office Projects, Adelaide
Photograph by Sam Roberts
In this suite of collage works, the atmospheres and aesthetics of the paranormal, the hauntological, and the occult collide with taxonomies, schematics, and other rational systems of knowledge.
2023
Edition of 10 audio cassettes, each packaged with a unique collage
Photograph by Sam Roberts
This mixtape contains a selection of audio aligned with the amorphous genre of hauntology. Side A is titled ‘Insistent Pasts’ and side B is titled ‘Lost Futures’, in an attempt to encapsulate hauntology’s preoccupation with temporality.