Writing about Roy Ananda

‘Tales of the Fourth Dimension’ by Amelia Barikin (2013)

Slow crawl into infinity catalogue (2014)

‘The secret lives of artists’ by Nick Mitzevich (2016)

‘Roy Ananda comes out to play’ by John Neylon (2016)

‘Roy Ananda is not a nerd. He may be a record collector, a role-player, a Star Wars fan, a nerd, but he is not a Juggalo. A conversation between Logan Macdonald and Roy Ananda’, fine print magazine, issue 11: HUMOUR & PARODY (2017)

‘Travelling through hyperspace ain’t like dustin’ crops, kid’ by Alex M. Beckinsale (2018)

‘Roy Ananda comes in peace’ by Farrin Foster (2021)

Roy Ananda’s Wikipedia page

Roy Ananda’s Internet Movie Database page

Writing by Roy Ananda

Various contributions to the Vitamin Archive (2004-2007)

‘An inquiry into fan practices as related to speculative fiction realised through a contemporary visual art practice’ (paper presented at the 2015 ACUADS Conference)

‘How to write a fan letter: the generative potential of pop-culture fandom in contemporary visual art practice’ (Masters exegesis, 2017)

Exhibition text for Carly Snoswell’s exhibition Since 1989 (Floating Goose Studios, 2018)

Exhibition text for Bernadette Klavins’ exhibition Unearthed (Floating Goose Studios, 2018)

Exhibition text for FELTfood (Arthur Art House, 2019)

‘Hallucinatory Terrain: The Horrific and Grotesque in the Art of D&D’ (TPK Zine, Issue 1, 2019)

Exhibition text for Seb Humphreys’ exhibition An Archaeological Study of Graffiti Art (Newmarch Gallery, 2020)

Catalogue essay for CJ Taylor’s work in Neoteric (Adelaide Festival, 2022)

Catalogue essay for Anna Revesz’s exhibition Divine Machina (Praxis Artspace, 2022)

Exhibition text for Orlando Mee’s exhibition Churning the Ocean (Sauerbier House, 2025)

Exhibition texts for Wes Maselli’s exhibition Studio Bleed (Goodbank Gallery, 2025)